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Adrian Belew ~ Peaceable Kingdom


When i wake up in my tree
Wake up in my bedroom tree
A little girl and a parakeet
Are singing to me

My, oh my, what a peaceable kingdom
Why would i ever wanna leave
Leave a peaceable kingdom

And when i wake up on the floor
On the carpeted forest floor
All of the squirrels in their conifers
Are saying to me

My, oh my, even if you had set of wings
Why would you ever wanna fly
From a peaceable kingdom
Oh my, oh my, what a peaceable kingdom
Why would i ever wanna leave
Leave a peaceable kingdom

It's quiet a night
When the monkeys retire
So we lay down our faces
By the fireplace
And sing softly
What a peaceable kingdom


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Globalized Sounds
Today, beautiful European and American music, an Afrobeats recorded in Lagos, can play in headphones in Tokyo; a South Korean idol group can fill an Argentine stadium to capacity. On Spotify, the playback volume of African music has increased by 500% in five years; K-pop has already transcended the Asian border and become a common language for young people all over the world; Latin music has consistently topped the streaming charts for several consecutive years. The world is getting smaller while the scope of music is expanding.
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When the lights dim and the first note is played, strangers become synchronized. The tremor when thousands sing together, and the melody that still echoes after the crowd disperses - this is an experience that no screen can convey. We look forward to the return of large-scale concerts to the essence of music, and we also look forward to small livehouses continuing to nourish the most vibrant soil of music.
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Music transcends languages - even if you don't understand the lyrics, you can still shed tears or dance. It transcends cultures - the drumbeats of Nigeria and the chants of Iceland coexist under the same sky. It transcends generations - a song from half a century ago can still bring tears to the eyes of today's young people.
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